“Deadlines just aren’t real to me until I’m staring one in the face.” – Rick Riordan
Deadlines are a massive topic of discussion for authors in the publishing industry. As more and more contracted writers have started being vocal about the realities of three books deals etc, it’s kind of impossible to ignore just how stressful they can be. The main one that always springs to mind when I think of deadlines is best-selling fantasy author V.E.Schwab who did a series of tweets about the fact that she was set to embark on a three month book tour. Alongside meeting upwards of 300 people at events in each city, she still had to average 2,000 words a day in order to get her next book in on time.
It would be unfair to not acknowledge the slight advantage I have of being an unpublished the author: I have all the time in the world, in fact, too much time. I struggle greatly with the idea that I may never get published, that simply finishing and editing a book isn’t enough when there are agents to query who will reject me and even if I get that glorious “yes” there’s no guarantee that a publisher will buy my book at the end of it.
So long story short, I make my own targets. My mantra is “we measure time spent not words” because I think it is incredibly important to count any time spent researching or planning as part of the process. You could finish a writing day with no words written and feel completely defeated when in actuality you’re discounting the fact that you spent four hours looking into some incredibly niche thing you want to include in your story, or you did rubbish drawings of locations or even just worked through what you’d like to happen in a scene. Every little second, minute, and hour spent all adds up to the bigger picture. I am to spend at least 30 minutes a day working on my current project. It can seem measly but if I get a scene sorted, or even just a paragraph written, it’s one more scene or paragraph than I had the day before. Words are just sentences which are paragraphs which are chapters which are books.
Everyone talks far too often about word counts: from people creating their own writing sprint months, to writing sprints with the aim of 500 words at the end, to the big old NanoWriMo where people (and I made this mistake only once) try to write a whopping 50,000 words in a single month. It’s too easy to look at others and see yourself in comparison to how much they can achieve. But we all find our own ways to work; the best thing for us.
Do you set deadlines for yourself?
What do you do if you don’t meet them?
“The rules on what is possible and impossible in the arts were made by people who had not tested the bounds of the possible by going beyond them.”
I decided that the best way to talk about my planning process when it comes to writing is to break it into two parts. The previous part, “the skeleton”, focused on getting down the initial framework on my next project. This one is about the bigger details; what I lovingly call “the meat.”
Once I have the basics down – characters, motivations, locations, concepts- I then begin to work my way through the big plot points in the narrative. This step is different pretty much every time because sometimes aspects come to fruition quicker than others. But this is where I plan out any scenes, dialogue between characters, while also keeping things open to happen naturally during writing; it’s remarkable how much my stories evolve in the writing stage from what I first planned out. In the past I’ve posed two options to myself of where a plot twist can go and then something else jumps up while I’m working on it that was completely unexpected but just works so much better than whatever I had in the pipeline.
It’s also often this part of the process I return to when I hit a wall writing. I have to come back here and re-evaluate things and work out which cog in the machine needs replacing with a shiny new piece to get it working again.
Do you plan? If so, what are your tips and tricks? Do you have a particular thing you simply have to do?
“Overnight sucess is almost always a myth. Half of this industry is luck, and half is the refusal to quit.” – V.E.Schwab
When it comes to new ideas I always start with what I call “the skeleton.” My stories nearly always begin with an initial concept or a random line; sometimes it ends up being a possible lead character just for my brain to change the game up a little. Slowly but surely, I start to build the framework.
I always focus on populating the world first- from characters to locations- to maybe even a central plot point that I have fully fleshed out in my mind before then moving on to the next stage which I call “the meat” (more on that in another post). I refer to this point in my planning as “the skeleton” because it’s all about getting those bones and putting them roughly in the right place so that everything can function below the surface.
It’s always the longest part of planning for me because I can’t start working on a story until I have enough of the proverbial map filled out to know where I’m going. Sometimes all the framework elements come within a couple of weeks from the initial idea or character motivation, others (like a project I’m currently working on) have taken several years to get to the point where I can even consider writing.
How do you tackle planning? Do you have a particular order things need to be done in? Or do you not even plan and instead chose to wing it?
“Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.” – John Steinbeck
It’s a common topic discussed and one that, in fact, I was asked to write about by fellow reviewer Anna. Writers are often asked if they are a “planner or pantser.” Simply put, do you plan or go in with no plan? When I tried to think of what other writers do, I remembered when I went to an event for The Iron Trial with Holly Black and Cassandra Clare and they talked about this very subject. Cassandra Clare has to plan every single detail down to when a character blinks, whereas Holly Black likes to go in with no plan whatsoever because she likes surprises. Naturally, you can imagine this made their partnership on the series a tad difficult.
I have to admit that I’m both a pantser and planner in equal measures. I have the initial concept in mind, along with characters and some understanding of location. When it comes to writing a chapter or scene, I like to have a framework – some idea of where I’m walking – but I never fully know what’s going to happen. I always leave room for things to happen naturally and so that the characters are able to think for themselves. It’s in these moments of no planning where new locations sprout, new characters join the story, and old characters have died. Sometimes I start writing and don’t even have the ending figured out.
I’m hoping to do a whole seperate post about how exactly I plan a new project. But for now I pose the questions to you:
Are you a planner or a pantser?
Do you have anything you need to do before starting a new project?