I think you could ask pretty much anyone who their “role model” is and they would have an answer. It could be a family member, a friend, a celebrity. Some may even have one from childhood and a different one now they have more of an adult perspective to grasp onto the world with. I’ve had many. I almost like to hord them as if they are trinkets from different parts of my past. When it comes to writing, the person I look up to the most is V.E.Schwab.
V.E.Schwab is a New York Times Best-selling author. She’s written Adult Fantasy, YA paranormal, graphic novels, children’s ghost stories but her very obvious success isn’t what draws me to her. Like many readers, my adventures with her stories began with A Darker Shade Of Magic and when I listened to her interview on the podcast 88 Cups Of Tea, she talked about how she had been told by those in the publishing industry to be less open about what it’s actually like to be in it. She responded to this by saying that it didn’t feel right to sugarcoat her experiences and act like, just because she got that book deal, her life is all sunshine and flowers.
I adore her honesty. She admits how hard touring is on her mental health and how it adds pressure to looming deadlines even though she very much loves meeting her readers. When it comes to drafting a new book, she talks openly about her struggles and how often she needs to remind herself that it’s all one big process and baby steps still get you closer to the end. She dishes out advice and it always seems to pop up on my Twitter timeline when I’m having the worst day and want to throw my laptop out of the window in the hopes that a passing car on the street runs it over.
It’s a reminder that even the greats – the authors that have made incredible impacts in the writing world – are just as human as the rest of us. They have to work through the same fears and problems that those of us aspiring authors do every day. V.E.Schwab has spoken about how, even with her raging success, she’s still had rejections for pitch ideas. Other big fantasy authors such as Neil Gaiman have said that their biggest fear is a blank page. No one is immune from this experience and I admire her so much for standing up and saying “hey guys, this is really hard and you know what? It doesn’t get any easier.”
Do you have any writing inspirations?
Do you have any writing mantras you turn to when having a bad day?
“Deadlines just aren’t real to me until I’m staring one in the face.” – Rick Riordan
Deadlines are a massive topic of discussion for authors in the publishing industry. As more and more contracted writers have started being vocal about the realities of three books deals etc, it’s kind of impossible to ignore just how stressful they can be. The main one that always springs to mind when I think of deadlines is best-selling fantasy author V.E.Schwab who did a series of tweets about the fact that she was set to embark on a three month book tour. Alongside meeting upwards of 300 people at events in each city, she still had to average 2,000 words a day in order to get her next book in on time.
It would be unfair to not acknowledge the slight advantage I have of being an unpublished the author: I have all the time in the world, in fact, too much time. I struggle greatly with the idea that I may never get published, that simply finishing and editing a book isn’t enough when there are agents to query who will reject me and even if I get that glorious “yes” there’s no guarantee that a publisher will buy my book at the end of it.
So long story short, I make my own targets. My mantra is “we measure time spent not words” because I think it is incredibly important to count any time spent researching or planning as part of the process. You could finish a writing day with no words written and feel completely defeated when in actuality you’re discounting the fact that you spent four hours looking into some incredibly niche thing you want to include in your story, or you did rubbish drawings of locations or even just worked through what you’d like to happen in a scene. Every little second, minute, and hour spent all adds up to the bigger picture. I am to spend at least 30 minutes a day working on my current project. It can seem measly but if I get a scene sorted, or even just a paragraph written, it’s one more scene or paragraph than I had the day before. Words are just sentences which are paragraphs which are chapters which are books.
Everyone talks far too often about word counts: from people creating their own writing sprint months, to writing sprints with the aim of 500 words at the end, to the big old NanoWriMo where people (and I made this mistake only once) try to write a whopping 50,000 words in a single month. It’s too easy to look at others and see yourself in comparison to how much they can achieve. But we all find our own ways to work; the best thing for us.
Do you set deadlines for yourself?
What do you do if you don’t meet them?
“The rules on what is possible and impossible in the arts were made by people who had not tested the bounds of the possible by going beyond them.”
I decided that the best way to talk about my planning process when it comes to writing is to break it into two parts. The previous part, “the skeleton”, focused on getting down the initial framework on my next project. This one is about the bigger details; what I lovingly call “the meat.”
Once I have the basics down – characters, motivations, locations, concepts- I then begin to work my way through the big plot points in the narrative. This step is different pretty much every time because sometimes aspects come to fruition quicker than others. But this is where I plan out any scenes, dialogue between characters, while also keeping things open to happen naturally during writing; it’s remarkable how much my stories evolve in the writing stage from what I first planned out. In the past I’ve posed two options to myself of where a plot twist can go and then something else jumps up while I’m working on it that was completely unexpected but just works so much better than whatever I had in the pipeline.
It’s also often this part of the process I return to when I hit a wall writing. I have to come back here and re-evaluate things and work out which cog in the machine needs replacing with a shiny new piece to get it working again.
Do you plan? If so, what are your tips and tricks? Do you have a particular thing you simply have to do?
“Overnight sucess is almost always a myth. Half of this industry is luck, and half is the refusal to quit.” – V.E.Schwab
When it comes to new ideas I always start with what I call “the skeleton.” My stories nearly always begin with an initial concept or a random line; sometimes it ends up being a possible lead character just for my brain to change the game up a little. Slowly but surely, I start to build the framework.
I always focus on populating the world first- from characters to locations- to maybe even a central plot point that I have fully fleshed out in my mind before then moving on to the next stage which I call “the meat” (more on that in another post). I refer to this point in my planning as “the skeleton” because it’s all about getting those bones and putting them roughly in the right place so that everything can function below the surface.
It’s always the longest part of planning for me because I can’t start working on a story until I have enough of the proverbial map filled out to know where I’m going. Sometimes all the framework elements come within a couple of weeks from the initial idea or character motivation, others (like a project I’m currently working on) have taken several years to get to the point where I can even consider writing.
How do you tackle planning? Do you have a particular order things need to be done in? Or do you not even plan and instead chose to wing it?
“The first draft is a secret that no one ever needs to see, but it leads to the second draft, where the book really begins.” – Patrick Ness
I decided that, after another joint winning Twitter poll, my next writing pot would be focused on that dreaded first draft since I’m currently in the middle of one.
No one likes drafting. If even big name, best-selling authors like V.E.Schwab and Neil Gaiman struggle with them, then there’ really no hope for the rest of us. To me, a first draft is like breaking into a run only to collapse in a fit of exhaustion a few feet later. That shiny new idea feels exciting and fun but the second I hit a mental wall it’s far too easy for me to abandon a project; to convince myself that I’m just not ready to tackle it yet and I’ll come back later.
The big fact I have to constantly remind myself of is that a first draft is only going to be seen by me. Which is important to remember because I am of the firm belief that you need to enjoy your own story before anyone else does and the entire project becomes influenced by what other people think you should do. In this early stage I think it’s also too easy to get hung up on words because you don’t have any to work with yet. It can be very disheartening to work for an hour and find you’ve written 100 words. It’s easy to feel like you’ve not made any progression and completely disregard that you technically spent an hour working. This is where my mantra “we measure time spent not words” comes into play because why should time spent trying to make a chapter work and deleting everything, research, or planning not count as progress? After all, they’re just as important as writing. I tend to use the forest app to mark my progress (more on that in another post).
If I’m really struggling to keep momentum but I can visualise scenes later in the plot then I make that shift and write those. Words are words are words, and I’ll do anything to keep going. Even if I want to give up 90% of the time.
What are your tips and tricks for handling a first draft?