“Transitioning is not going to mystically solve all the worries in my life. I will still be skint. I will still get lonely sometimes. I will still be driven and overambitious. I’ll still be jealous and competitive. But I will be a woman. I will be Juno. I will be righted. I will be me.”
Blurb: “Gender isn’t just screwing over trans people, it’s messing with everyone. From little girls who think they can’t be doctors to teenagers who come to expect street harassment. From exclusionist feminists to ‘alt-right’ young men. From men who can’t cry to the women who think they shouldn’t. As her body gets in line with her mind, Juno tells not only her own story, but the story of everyone who is shaped by society’s expectations of gender – and what we can do about it.”
Juno Dawson – primarily known for her Young Adult books – announced her transition in 2015 and was met with tremendous support from her readers, the book community and her publisher (who have since gone to lengths to reprint her books under her new name). Following this announcement – though I feel that isn’t the right word to use – Juno went on to talk publicly about her transition in a monthly Glamour Column. I’ve asked her in the past if she was likely to write a book either featuring a trans character or about her own experience of transitioning. She said yes.
I will admit I expected The Gender Games to be all about her experience of transitioning; and doing so in the public eye. Which it is in part, though it focuses on the bigger problem of gender throughout.
Gender is personified, built up to be the creature in the dark ruining everyone’s fun. She talks about growing into a gay man and how she believes that was the label that fit until society developed and “transgender” became more commonly known. She acknowledges the privilege she still had as a gay man when it came to her publishing career; once she compared it to her female counterparts and how they are many spaces for young LGBT people online with this likes of Hannah Hart and Tyler Oakley racking up millions of views and subscribers along with the ever-growing success of Ru Paul’s Drag Race yet none of them are recognised in the so-called “mainstream media.” She goes into details of how men can benefit from feminism if it wasn’t seen as such a dirty word and things such as “you throw like a girl” aren’t helping anyone. She brings in contributors such as Sex & Relationships Youtuber Hannah Witton and drag queen Alaska to illustrate how universal some experiences are.
For me, I learnt a lot about the importance of not taking things at face value. I follow Juno avidly on all her social media and have experienced a sort of pride watching her publically grow but it seemed to lean towards the positive. In The Gender Games the reader really gets to see what goes on behind those glamour columns and Instagram stories. The reader gets to see the hardships, the abuse, the state of our NHS when it comes to dealing with gender, and just how isolating it can be.
She talks about how the LGBT community itself is not perfect and highlights the important stigma around bisexuals – something I have sadly experienced myself -and how a change needs to happen within for those on the outside to take anyone seriously.
Another important factor is that Juno acknowledges she is not perfect. She is aware of her privilege and quick to declare that she knows not everyone had the same resources available to them. She mentions that she messes up too and it’s important to apologise and work on being better. Which is something that I’m sure all of us can do.
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