“She represented the rebirth of the human race. She was the answer to their prayers. She was all they cared about; their final hope. Eve was the saviour of humanity. I am Eve.”
Blurb: “All her life Eve has been kept away from the opposite sex. Kept from the truth of her past. But at sixteen it’s time for Eve to face her destiny. Three potential males have been selected for her. The future of humanity is in her hands. She’s always accepted her fate. Until she meets Bram. Eve wants control over her life. She wants freedom. But how do you choose between love and the future of the human race?”
I’ve been a long-time fan of both Tom and Giovanna Fletcher independently, so when I saw the announcement that they had written a book together, I was both excited but very wary. Tom Fletcher is a children’s book writer, known primarily for The Christmasauras, and Giovanna is a romance writer, known for Billy And Me. So not only were they merging together, but also stepping into a new area of the book world as Eve Of Man is the first in a Young Adult Sci-Fi series.
To start with, I was very anxious because I wanted to love it, and throw aside all my preconceptions as they are new to YA and many adult authors etc. have made a successful transition. I listened to the audiobook, narrated by Charlotte Richie and Josh Dylan, and honestly don’t think I would have gotten through this book without it. Because it’s a bad book. A really bad book.
Eve of Man is pitched as an “unconventional love story” and yet with the premise of the story, it does little to surprise the reader. Eve is sixteen, the first girl born in fifty years and now about to be palmed off to any boy who might be capable of ensuring the survival of the human race. Eventually she realises her situation is wrong and starts to rebel. There was a lot of buzz shortly after the release regarding gender sterotypes in the book. It’s, again, predictable but not really surprising that it’s rigid in binary as the point we’re introduced to the characters is when Eve is deemed ready to bear a child. The reader is doused in layer upon layer of information about how the world got to this point, revealing how the woman suddenly stopped carrying girls to full term and methods that were put into place. There are a few hints to other sexualities but these are very much brushed over and I was more concerned that in this Handmaid’s Tale-esque aspect there wasn’t much attention brought to what happened to infertile women.
The story is told in two perspectives: Eve and Bram. It’s first person, meaning the reader gets into the route of their thoughts and to be honest I found Bram infinitely more interesting. Eve lives in this place called “the dome” which is essentially her prison. The regular communication she has is with a hologram called Holly who has to be operated by a pilot in order to interact with Eve. Bram is one of these pilots which was super interesting and destroyed my previous idea that Bram would turn out to be one of the suitors. His perspective was great in showing what was going on outside of Holly’s world from the government interference to the people rallying in the streets, demanding Eve’s freedom. However, the narrator was so bland that it just didn’t make him feel real. There was no real change in voice either for characters so I often had to rewind to work out who was speaking. Eve’s narrative wasn’t necessarily bad but I just didn’t really care for her.
In terms of the writing, what I gathered from the audiobook is that Eve very much has Giovanna’s usual writing style and will be comforting to those familiar with her other works. My main issue was that Eve didn’t’ come across as sixteen. As for Bram, Tom’s writing is quite simply a mess. It’s very clunky and could have done with a lot more buffing around the edges. Both perspectives had the issue of information dumping both in the sense of “telling rather than showing” and the reader is constantly having bits of knowledge thrown at them that isn’t really needed; a lot of it was information that the writer needed to know to form and understand the world, but wasn’t vital for those reading. It always seemed to come at the worst times. For example, there’s a dramatic section in the latter half of the book with Bram and the action is suddenly halted for a few minutes while the reader is given the history of the room. All that build up is suddenly halted and it was hard to get back on board after being steered off track.
To me, Eve of Man was a book with a lot of potential but completely fell apart in the execution.
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