feminism · review

The Power – Naomi Alderman

“She cuppeth the lightning in her hand. She commandeth it to strike.”

 

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Blurb: “In The Power the world is a recognisable place: there’s a rich Nigerian kid who larks around the family pool; a foster girl whose religious parents hide their true nature; a local American politician; a tough London girl from a tricky family. But something vital has changed, causing their lives to converge with devastating effect. Teenage girls now have immense physical power – they can cause agonising pain and even death. And, with this small twist of nature, the world changes utterly.”

*Edit: Since writing this review The Power won the Prize*

This shortlisted Baileys Women’s Prize novel is set in a modern day world where women start to develop powers which they use to become the dominant gender. Throughout the story, the reader follows four different people living in different parts of the world and sees the unfolding events told through their eyes.

The Power’s concept is one that struck me the second I heard about it. As expected, it delivers a dark and compelling insight into a world where society is turned on its head. At times it was very difficult to read and I feel like that was the point of it. While, to some, the idea of men ruling over women may seem like an ideal universe, Alderman doesn’t skimp out on showing that maybe things wouldn’t be that much better either.

The use of multi-perspective was the best way to tell this story because it showed just how vastly different society had become across various countries and my personal favourites to consume were Thude’s – a journalist.

The sequence of events takes place over the course of ten years and this is where The Power really starts to fall apart. While we are given snapshots of events over the time period, it feels very stagnant and when I got to the end I felt almost cheated. The story just never really seemed to go anywhere and I’m not sure if that was the intention or not.

Overall, this is one of those books where the concept is infinitely better than the plot itself.

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